…Roger Moore as james bond 007 live and let die..Production began in 1972, with filming in Pinewood Studios, along with location shooting in New York City, New Orleans, Louisiana and Jamaica doubling for the fictional San Monique.[6] The producers were reportedly required to pay protection money to a local Harlem gang to ensure the crew’s safety. When the cash ran out, they were “encouraged” to leave.[7] Ross Kananga suggested the jump on crocodiles, and was enlisted by the producers to do the stunt.[1] The scene took five takes to be completed, including one in which the last crocodile snapped at Kananga’s heel, tearing his trousers.[2] The production also had trouble with snakes. The script supervisor was so afraid that she refused to be on set with them; an actor fainted while filming a scene where he is killed by a snake; Jane Seymour became terrified as a reptile got closer, and Geoffrey Holder only agreed to fall into the snake-filled casket because Princess Alexandra was visiting the set.[2] The boat chase was filmed on the Louisiana bayou, with some interruption caused by flooding.[3] 26 boats were built by the Glastron boat company for the film. Seventeen were destroyed during rehearsals.[8] The speedboat jump scene over the bayou, filmed with assistance with a specially-constructed ramp, unintentionally set a Guinness World Record at the time with 110 feet (34 m) cleared. Unfortunately, the waves created by the impact caused the following boat to flip over.[2 …

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“Live and let die” original trailer. The first Bond picture with Roger Moore, in 1973.

Live and Let Die (1973) is the eighth spy film in the James Bond series, and the first to star Roger Moore as the fictional MI6 agent James Bond. The film was produced by Albert R. Broccoli and Harry Saltzman. Although the producers had wanted Sean Connery to return after his role in the previous Bond film Diamonds Are Forever, he declined, sparking a search for a new actor to play James Bond. Roger Moore was signed for the lead role. The film is adapted from the novel of the same name by Ian Fleming. In the film, a Harlem drug lord known as Mr. Big plans to distribute two tons of heroin free so as to put rival drug barons out of business. Mr. Big, however, is revealed to be the disguised alter ego of Dr. Kananga, a corrupt Caribbean dictator, who rules San Monique, the fictional island where the heroin poppies are secretly farmed. Bond is investigating the death of three British agents, leading him to Kananga, where he is soon trapped in a world of gangsters and voodoo as he fights to put a stop to the drug baron’s scheme. Live and Let Die was released during the height of the blaxploitation era, and many blaxploitation archetypes and cliché are depicted such as afro hairstyles, derogatory racial epithets (“honky”), black gangsters, and “pimpmobiles”.[1] It departs from the former plots of the James Bond films about megalomaniac super-villains, and instead focuses on drug trafficking, depicted primarily in blaxploitation films. It was considered by fans as an …

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